Selasa, 18 November 2008

More info

Sunday, August 19, 2007

Adnan Bin Saidi
In World War II (1915 - February 14, 1942), Lieutenant Adnan Bin Saidi was a Malayan hero during the Battle of Singapore. He was born in 1915 at Kajang, Selangor along the western Malay coast and was a Muslim of Minangkabau(Western Sumatra) descent. Minangkabau people belong to the Malay stock.When Adnan was 18, to join the army, Adnan ran away from home and because of his brave courage and intelligence his rank rose up.


The Battle of Pasir Panjang




During the fierce defense of Singapore against the Japanese invaders, Lieutenant Adnan Bin Saidi as the leader of the Malay troops led a 42-strong platoon from the Malay Regiment. On 12-14 February 1942, soldiers fought bravely at the Battle of Pasir Panjang, at Pasir Panjang Ridge which is now known as Kent ridge in the Bukit Chandu (Opium Hill) area despite being out-gunned by Japanese artillery. The very next day, the Japanese tried to trick the Malays in the British army by dressing up as Indian soldiers. It was Lieutenant Adnan Bin Saidi who was sharp enough to noticed that those familiar topeed figures were marching in fours instead of the usual threes in the Indian army. Adnan killed several Japanese when he saw through their disguise, and the rest of the Japanese retreat. Although they are heavily outnumbered Adnan Bin Saidi refused to surrender, and encourage his men to fight until the end of their lives. For two days, Japanese are held off by them, amid heavy enemy shelling and shortages of food and ammunition as the fight went on. Adnan Bin Saidi carried on fighting despite that he was shot. After they lost battle, he was captured, dragged and pushed into a gunnysack, when the Japanese overran his Malay soldiers, they hung him by his legs, tied him to a cherry tree and bayoneted (stabbed) him to death for his stubbornness resistance again and again as they were angered by the death of their fellow comrades . His throat was slit repeatedly in some instances. Adnan witnessed these gruesome deeds in Corporal Yaakob’s state of ‘death’. No one was allowed to bring down his body for burial in the aftermath of the battle and no one even dared. It claimed that Lieutenant Adnan Saidi's mutilated body was burnt to ashes in some sources , and died in battle at the age of 27.

It remains as a proud story for his bravery in both Malaysia and Singapore today.
At Kent Ridge Park, now bears a plaque in commemoration of Lt Adnan Bin Saidi close to the site of the battle. At Bukit Chandu, the bravery of Malay Regiment soldiers in memory stands at a museum. The regiment later becomes the Royal Malay Regiment of the Royal Malaysian Army.
Place of death
Pasir Panjang, Singapore
Allegiance
Royal Malay Regiment
Rank
2nd Lieutenant
Battles/wars
Battle of Singapore Battle of Pasir Panjang
Died
14 Feb 1945
Nationality
Malaya/Singapore
Category
Ground









Taken from: http://en.wikipedia.org/wiki/Adnan_Bin_Saidi
Taken from: http://www.bookrags.com/wiki/Adnan_Bin_Saidi
Taken from: http://ww2db.com/person_bio.php?person_id=294
Takenfrom: http://schools.moe.edu.sg/phpps/.../students_work/jinhao%20joy4/Ourheroes.htm
Taken from: http://web.singnet.com.sg/~nainz/malayregiment.html

Background
Adnan Bin Saidi, Lieutenant Adnan Saidi was the oldest in his family. His younger siblings, Ahmad Saidi and Amarullah Saidi were soldiers too. Ahmad Saidi was killed in action after he joined the navy in 1939. The Japanese sank his ship, the HMS Pelanduk, enroute to Australia. The younger Mr. Amarullah Saidi endured the war and is now retired and is now living in Kajang, Selangor.Lieutenant Adnan Saidi undergo his education in Pekan Sungei Ramal in the English medium. He was a hardworking student and excelled in his studies. Upon graduation, Adnan was chosen to be a trainee teacher and taught at his alma mater for over a year. Fate however had other plans for him. Adnan Saidi is a firm man who took discipline seriously, chose instead to pursue the military vocation.
In 1933, when he was 18 years old, Adnan Saidi joined the Malay Regiment. A year later, he was chosen as best recruit. In 1936, Adnan was promoted to the rank of Sergeant – a promotion that came fast for a bright young soldier. In 1937, he was chosen to represent his platoon in a military ceremonial parade in London to honour the ascension of King George VI to the throne. Shortly thereafter, Adnan Saidi was promoted yet again to Company-Sergeant-Major and headed for Singapore for an officers’ conversion course. Upon graduation as 2nd Lieutenant, Adnan Saidi became the leader of the 7th Platoon, ‘C’ Coy(Charlie Company).










The family man
Upon his return from London, Lieutenant Adnan Saidi fell in love with an Islamic religious teacher from his village and later married her. Madam Sophia Pakih Muda(name spelling's may not be precise) gave birth to three children: two sons, Mokhtar and Zainudin (now living in Seremban and Johore respectively), and a daughter. Youngest of the three siblings, the baby girl died in her early infancy shortly after Singapore fell.Despite his busy schedule as a career soldier, Lieutenant Adnan Saidi settled down quickly as a family man. He dotes his boys and would always try to find time for his kids. He brought them for walks or played games with them. The games that he played with his boys were rough and rugged. Adnan wanted his sons to grow up tough. In an interview with Berita Harian (9 Sept `95), Mokhtar Adnan described his father as thus:"My father did not talk a lot. He was a firm man and believed in discipline. He was always serious and fierce…yet had a good heart. There seemed to be a ‘light’ illuminating his face."In late 1941, Lieutenant Adnan Saidi was sended to Singapore and brought with him his family. They lived in a big house off Pasir Panjang, in an area reserved for the families of the Malay Regiment. When the rumblings of the war grew nearer and the Japanese began preparations to invade Singapore, Lieutenant Adnan sent his family back to their hometown in Kajang. It was a trying day for Lieutenant Adnan - his wife, Sophia was carrying their third child. The young boys kissed their father’s hand as their last respect and he reminded them to be good. It was to be their last moment together.







Aftermath
Kent Ridge Park, which was known as Pasir Panjang beside the site of the battle now bears a plaque in commemoration of Lt Adnan Bin Saidi. A museum at Bukit Chandu stands in memory of the bravery of Malay Regiment soldiers. This regiment would later become the Royal Malay Regiment of the Royal Malaysian Army.

Done By: Letitia Leong, Sarah Toh, Justina Tan

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English info

Adnan Bin Saidi, (1915 - February 14, 1942), was a Malayan soldier of the 1st Infantry Brigade which fought the Japanese in the Battle of Singapore. He is regarded by Malaysians and Singaporeans today as a hero for his actions on Bukit Chandu.

Contents

[hide]

Personal life

Saidi was born at Kajang, Selangor and was a Muslim of Minangkabau descent. He was the eldest in his family. His younger siblings, Ahmad Saidi and Amarullah Saidi were soldiers as well. Ahmad was killed in action after his ship, the HMS Pelanduk, was sunk by the Japanese enroute to Australia. Amarullah survived the war and he now resides in Kajang, Selangor. Adnan was married to wife Sophia Pakir, an Islamic religious teacher. She died in 1949. They had two sons and a daughter, who died soon after birth. Their sons, Mokhtar and Zainudin Adnan now live in Seremban and Johore respectively.

My father did not talk a lot. He was a firm man and believed in discipline. He was always serious and fierce… yet had a good heart. There seemed to be a ‘light’ illuminating his face. - Mokhtar Adnan, Saidi's son

Battle of Pasir Panjang

Adnan led a 42-strong platoon from the Malay Regiment in the defense of Singapore against the Japanese invaders. The soldiers fought at the Battle of Pasir Panjang, at Pasir Panjang Ridge in the Bukit Chandu (Opium Hill) area on February 12-14, 1942. Although heavily outnumbered, Adnan refused to surrender and urged his men to fight until the end. They held off the Japanese for two days amid heavy enemy shelling and shortages of food and ammunition. Adnan was shot but carried on fighting. After the battle was lost, the wounded Adnan was taken prisoner by Japanese soldiers, who tied him to a rubber tree and bayoneted him to death. Because of his actions at Bukit Chandu, Saidi is currently considered by Malaysians and Singaporeans today as a hero. He is also credited as the soldier who caught the disguised Indian troops' marching error. When Singapore surrendered, the Japanese Kempeitai attempted but failed to find and murder Saidi's family in revenge of Bukit Chandu. Kent Ridge Park, close to the site of the battle now bears a plaque in commemoration of Lt Adnan Bin Saidi. A museum at Bukit Chandu stands in memory of the bravery of Malay Regiment soldiers. This regiment would later become the Royal Malay Regiment of the Royal Malaysian Army.

Portrayal in film

Adnan was portrayed by actor Hairie Othman in the 2000 film Leftenan Adnan. He was also portrayed by an unknown Malay actor in the TV series A War Diary. Aaron Aziz is the latest actor to have portrayed him in Life Story, which also covers his personal life.[1]

References

  1. ^ Life Story, Channel 5 2006-09-12. Retrieved on 2007-09-18.

Adnan Bin Saidi, (1915 - 14 February 1942), was a Malayan soldier of the 1st Infantry Brigade which fought the Japanese in the Battle of Singapore. He is regarded by Malaysians and Singaporeans today as a hero for his actions on Bukit Chandu.

Contents

[hide]

[edit] Personal life

Saidi was born at Kajang, Selangor and was a Muslim of Minangkabau descent. He was the eldest in his whole family. His younger siblings, Ahmad Saidi and Amarullah Saidi were soldiers as well. Ahmad was killed in action after his ship, the HMS Pelanduk, was sunk by the Japanese enroute to Australia. Amarullah survived the war and he now resides in Kajang, Selangor.

Adnan was married to wife Sophia Pakir, an Islamic religious teacher. She died in 1949. They had two sons and a daughter, who died soon after birth. Their sons, Mokhtar and Zainudin Adnan now live in Seremban and Johore respectively.

My father did not talk a lot. He was a firm man and believed in discipline. He was always serious and fierce… yet had a good heart. There seemed to be a ‘light’ illuminating his face. - Mokhtar Adnan, Saidi's son

[edit] Battle of Pasir Panjang

Adnan led a 42-strong platoon from the Malay Regiment in the defense of Singapore against the invading Japanese. The soldiers fought at the Battle of Pasir Panjang, at Pasir Panjang Ridge in the Bukit Chandu (Opium Hill) area on 12 February-14, 1942. Although heavily outnumbered, Adnan refused to surrender and urged his men to fight until the end. They held off the Japanese for two days amid heavy enemy shelling and shortages of food and ammunition. Adnan was shot but carried on fighting. After the battle was lost, the wounded Adnan was taken prisoner by Japanese soldiers, who tied him to a rubber tree and bayoneted him to death.

Because of his actions at Bukit Chandu, Saidi is currently considered by Malaysians and Singaporeans today as a hero. In their textbooks, he is also credited as the soldier who caught the disguised Indian troops' marching error.

When Singapore surrendered, the Japanese Kempeitai attempted but failed to find and murder Saidi's family in revenge of Bukit Chandu.

Kent Ridge Park, close to the site of the battle now bears a plaque in commemoration of Lt Adnan Bin Saidi. A museum at Bukit Chandu stands in memory of the bravery of Malay Regiment soldiers. This regiment would later become the Royal Malay Regiment of the Royal Malaysian Army.

[edit] Portrayal in film

Adnan was portrayed by actor Hairie Othman in the 2000 film Leftenan Adnan. He was also portrayed by an unknown Malay actor in the TV series A War Diary. Aaron Aziz is the latest actor to have portrayed him in Life Story, which also covers his personal life.[1]

[edit] References

  1. ^ Life Story, Channel 5 2006-09-12. Retrieved on 2007-09-18.

[edit] External links

Minggu, 14 September 2008

Dragons! the legend

The dragon is a legendary creature of which some interpretation or depiction appears in almost every culture worldwide. The physical description and supposed abilities of the creature vary immensely according to the different cultures in which it appears. However, the unifying feature of almost all interpretations is it being a serpentine or otherwise reptilian monster (or at least possessing a serpentine/reptilian part or trait), and often possessing magical or spiritual qualities.

The two most familiar interpretations of dragons are either European dragons, derived from various European folk traditions, or unrelated Oriental dragons, derived from the Chinese dragon (lóng,龍,龙). The word "dragon" derives from Greek δράκων (drakōn), "a serpent of huge size, a python, a dragon" and that from from δρακεῖν (drakein) aorist infinitive active of the verb δέρκομαι (derkomai) "I see clearly" [1]. [2].

Contents

[hide]

Description

Dragons are usually shown in modern times with a body like a big lizard, or a snake with two pairs of lizard-type legs, and able to emit fire from its mouth. The European dragon has bat-type wings growing from its back.

A dragon-like animal with no front legs and walking only on its back legs is correctly called a wyvern.

In recent years, after how pterosaurs walked on the ground became public knowledge, some dragons have been drawn using the wings as front legs pterosaur-fashion when on the ground, as in this image and in the movie Reign of Fire.

Overview

Like most mythological creatures, dragons are perceived in different ways by different cultures. Dragons are sometimes said to breathe and spit fire or poison. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically feathered or scaly bodies. They are sometimes portrayed as having large yellow or red eyes, a feature that is the origin for the word for dragon in many cultures. They are sometimes portrayed with a row of dorsal spines, keeled scales, or leathery bat-like wings. Winged dragons are usually portrayed only in European dragons while Oriental versions of the dragon resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature. Modern depictions of dragons tend to be larger than their original representations, which were often smaller than humans.

Although dragons occur in many legends around the world, different cultures have varying stories about monsters that have been grouped together under the dragon label.

Dragons are often held to have major spiritual significance in various religions and cultures around the world. In many East Asian cultures dragons were, and in some cultures still are, revered as representative of the primal forces of nature, religion and the universe. They are associated with wisdom—often said to be wiser than humans—and longevity. They are commonly said to possess some form of magic or other supernatural power, and are often associated with wells, rain, and rivers. In some cultures, they are also said to be capable of human speech.

The term dragoon, for infantry that move around by horse yet still fight as foot soldiers, is derived from their early firearm, the "dragon", a wide-bore musket that spat flame when it fired, and was thus named for the mythical creature.

Greek; etymology

In Ancient Greece the first mention of a "dragon" is derived from the Iliad where Agamemnon is described as having a blue dragon motif on his sword belt and a three-headed dragon emblem on his breast plate.[3]; however, the Greek word used (δράκων drakōn, genitive δράκοντοϛ drakontos) could also mean "snake". δράκων drakōn is a form of the aorist participle active of Greek δέρκομαι derkomai = "I see", and originally likely meant "that which sees", or "that which flashes or gleams" (perhaps referring to reflective scales). This is the origin of the word "dragon".

Chinese

Chinese dragons (simplified Chinese: ; traditional Chinese: ; pinyin: lóng), and Oriental dragons generally, are usually seen as benevolent, whereas European dragons are usually malevolent though there are exceptions (one exception being Y Ddraig Goch, The Red Dragon of Wales). Malevolent dragons also occur in the mythology of Persia (see Azhi Dahaka) and Russia, among other places.

Dragons are particularly popular in China and the 5-clawed dragon was a symbol of the Chinese emperors, with the phoenix or fenghuang the symbol of the Chinese empress. Dragon costumes manipulated by several people are a common sight at Chinese festivals.

Persian

Aži Dahāka is the source of the modern Persian word azhdahā or ezhdehā اژدها (Middle Persian azdahāg) meaning "dragon", often used of a dragon depicted upon a banner of war. The Persians believed that the baby of a dragon will be the same color as the mother's eyes.

Semitic

In Jewish religious texts, the first mention of a dragon-like creature is in the Biblical works of Job (26:13), and Isaiah (27:1) where it is called Nachash Bare'ach, or a "Pole Serpent".[4] This is identified in the Midrash Rabba to Genesis 1:21 as Leviathan from the word Taninim

and God created the great sea-monsters.[5]

In Jewish astronomy this is also identified with the North Pole, the star Thuban which, around 4,500 years ago, was the star in the Draco constellation's "tail".[4] However this can also have been either the celestial pole or the ecliptic pole. The ancient observers noted that Draco was at the top of the celestial pole, giving the appearance that stars were "hanging" from it, and in Hebrew it is referred to as Teli, from talah (תלה) - to hang.[6] Hebrew writers from Arabic-speaking locations identified the Teli as Al Jaz'har, which is a Persian word for a "knot" or a "node" because of the intersection of the inclination of the orbit of a planet from the elliptic that forms two such nodes. In modern astronomy these are called the ascending node and the descending node, but in the medieval astronomy they were referred to as "dragon's head" and "dragon's tail".[7]

Modern literature

There are numerous examples of dragons in modern literature, especially the fantasy genre.

In the 1937 fantasy novel The Hobbit by J.R.R. Tolkien, the major antagonist is a dragon named Smaug. Smaug hoards a great treasure but is ultimately shot down with an arrow by an archer who was told about a soft patch in Smaug's underbelly armor.

Dragons play an important role in the Harry Potter series of novels by J. K. Rowling. In the first book of the series, Harry Potter and the Philosopher's Stone, Hagrid, the Hogwarts groundskeeper, owns a baby dragon of a species called "Norwegian Ridgeback". In Harry Potter and the Goblet of Fire one of the three events the contestants for the tri-wizard tournament involves successfully taking a Golden egg from a Dragon, in Harry's case "a Hungarian Horntail". In the final book of the series, Harry Potter and the Deathly Hallows, Harry has to overcome a blind dragon guarding the treasure in the vaults of the wizarding bank, Gringotts.

Dragonriders of Pern is an extensive fantasy/science fiction series of novels and short stories primarily written by Anne McCaffrey. Since 2004, McCaffrey's son Todd McCaffrey has also published Pern novels, both in collaboration with Anne and on his own. The Pernese use intelligent firebreathing dragons who have a telepathic bond with their riders, formed by mental impressions the dragons receive at the time they hatch from their eggs.

The concept of a dragon bonding at birth with its rider was explored more recently in the 2003 fantasy novel and subsequent motion picture, Eragon, which features a teenaged boy by that name and a young dragon named Saphira. Eragon becomes a Dragon Rider, a magical dragon riding hero, who helps to overthrow an evil and despotic king. The next book in the series, Eldest, posits separate views that dragons are neither creatures of good or evil, but can be used for both, depending on the dragon and rider. Eragon and Saphira use their bond for good, while the king and his dragon, as well as Murtagh and his dragon, use their bonds for evil.

Speculation on the origin of dragons

Dragons may be mental representations of natural human fears of snakes, wildcats, birds of prey, as well as teeth, claws, size, and even venom blending with fear of wildfire.[8]

Others believe that the dragon may have had a real counterpart from which the various legends arose — typically dinosaurs or other archosaurs are mentioned as a possibility — but there is no physical evidence to support this claim, only alleged sightings collected by cryptozoologists. Loren Coleman argues that monitor lizards were the basis of some dragon tales and that the breath of the dragon is the fantastic imagery of the steam from the warm Montane Valley monitors emerging from a body of water into the cold air of some Asian locations.

Dinosaur and mammalian fossils were occasionally mistaken for the bones of dragons and other mythological creatures — for example, a discovery in 300 BC in Wucheng, Sichuan, China, was labeled as such by Chang Qu.[9]

The name of the type of soldiers known as Dragoon is generally considered to be derived from "Dragon", and there are various etymological theories on how this derivation came about.

Diet

Dragons in European mythology, eat maidens and livestock. Chinese Dragons eat swallow flesh, precious stones, milk and fish.

Dragons in world mythology

Asian dragons
Indonesian dragon Naga or Nogo Naga is a mythical animal from Indonesian mythology, and the myth encompasses almost all of the islands of Indonesia, especially those who were influenced heavily by Hindu culture (including Malaya. in fact, the word 'Naga' is a common noun for dragon in Malay). Like its Indian counterpart, it is considered as divine in nature, benevolent, and often associated with sacred mountains, forests, or certain parts of the sea.
Khmer Dragon Neak
The Khmer dragon, or Neak is derived from the Indian Naga. Like its Indian counterpart, the Neak is often depicted with cobra like characteristics such as a hood. The number of heads can be as high as nine, the higher the number signifies rank. Odd headed dragons are symbolic of male energy while even headed dragons symbolize female energy. Traditionally, a Neak is distinguished from the often serpentine Makar and Tao, the former possessing crocodilian traits and the latter possessing feline traits. A dragon princess is the heroine of the creation myth of Cambodia.
Chinese dragon Lóng (or Loong. "Lung" being an inaccurate, but commonly used, romanization.)
The Chinese dragon, is a mythical Chinese creature that also appears in other East Asian cultures, and is also sometimes called the Oriental (or Eastern) dragon. Depicted as a long, snake-like creature with four claws, it has long been a potent symbol of auspicious power in Chinese folklore and art.
Japanese dragon Ryū
Similar to Chinese dragons, with three claws instead of four. They are benevolent (with exceptions), associated with water, and may grant wishes.
Philippine Dragon Bakunawa
The Bakunawa appears as a gigantic serpent that lives in the sea.

Ancient natives believed that the Bakunawa caused the moon or the sun to disappear during an eclipse.

It is said that during certain times of the year, the bakunawa arises from the ocean and proceeds to swallow the moon whole. To keep the Bakunawa from completely eating the moon, the natives would go out of their houses with pots and pans in hand and make a noise barrage in order to scare the Bakunawa into spitting out the moon back into the sky. Some say that the Bakuawa is known to kill people by imagining their death and remote in eye contact.

Korean dragon Yong (Mireu) A sky dragon, essentially the same as the Chinese lóng. Like the lóng, yong and the other Korean dragons are associated with water and weather. In pure Korean, it is also known as 'mireu'.
Imoogi A hornless ocean dragon, sometimes equated with a sea serpent.
Gyo A mountain dragon. In fact, the Chinese character for this word is also used for the imoogi.
Vietnamese dragon Rồng or Long

(Ly dynasty, Daiviet X)

These dragons' bodies curve lithely, in sine shape, with 12 sections, symbolising 12 months in the year. They are able to change the weather, and are responsible for crops. On the dragon's back are little, uninterrupted, regular fins. The head has a long mane, beard, prominent eyes, crest on nose, but no horns. The jaw is large and opened, with a long, thin tongue; they always keep a châu (gem/jewel) in their mouths (a symbol of humanity, nobility and knowledge).
Cham dragon makara
A mythical sea monster with the body of a serpent, the trunk of an elephant, and a head that can have features reminiscent of a lion, a crocodile, or a dragon.
Siberian dragon Yilbegan Related to European Turkic and Slavic dragons
European dragons
Catalan dragon drac Catalan dragons are serpent-like creatures with two legs (rarely four) and, sometimes, a pair of wings. Their faces can resemble that of other animals, like lions or cattle. They have a burning breath. Their breath is also poisonous, the reason by which dracs are able to rot everything with their stench. A víbria is a female dragon.
French dragons Dragon
The French representation of dragons spans much of European history, and has even given its name to the dragoons, a type of cavalry.
Sardinian dragon scultone The dragon named "scultone" or "ascultone" was a legend in Sardinia, Italy for many a millennium. It had the power to kill human beings with its gaze. It was a sort of basilisk, lived in the bush and was immortal.
Scandinavian & Germanic dragons Lindworm
(early Vandal)
Lindworms are serpent-like dragons with either two or no legs. In Nordic and Germanic heraldry, the lindworm looks the same as a wyvern. The dragon Fafnir was a lindworm.
English dragons Wyvern Wyverns are common in medieval heraldry. Their usual blazon is statant. Wyverns are normally shown as dragons with two legs and two wings.
Welsh dragons y ddraig goch
In Welsh mythology, after a long battle (which the Welsh King Vortigern witnesses) a red dragon defeats a white dragon; Merlin explains to the Vortigern that the red dragon symbolizes the Welsh, and the white dragon symbolizes the Saxons — thus foretelling the ultimate defeat of the English by the Welsh.
Hungarian dragons (Sárkányok) zomok A great snake living in a swamp, which regularly kills pigs or sheep. A group of shepherds can easily kill them.
sárkánykígyó A giant winged snake, which is in fact a full-grown zomok. It often serves as flying mount of the garabonciás (a kind of magician). The sárkánykígyó rules over storms and bad weather.
sárkány A dragon in human form. Most of them are giants with multiple heads. Their strength is held in their heads. They become gradually weaker as they lose their heads.

In contemporary Hungarian the word sárkány is used to mean all kinds of dragons.

Slavic dragons zmey, zmiy, żmij, змей, or zmaj, or drak, or smok
Smok Wawelski from Sebastian Münster's Cosmographie Universalis, 1544
Smok Wawelski from Sebastian Münster's Cosmographie Universalis, 1544
Similar to the conventional European dragon, but multi-headed. They breathe fire and/or leave fiery wakes as they fly. In Slavic and related tradition, dragons symbolize evil. Specific dragons are often given Turkic names (see Zilant, below), symbolizing the long-standing conflict between the Slavs and Turks. However, in Serbian and Bulgarian folklore, dragons are defenders of the crops in their home regions, fighting against a destructive demon Ala, whom they shoot with lightning.[10][11]
Romanian dragons Balaur Balaur are very similar to the Slavic zmey: very large, with fins and multiple heads.
Chuvash dragons Vere Celen Chuvash dragons represent the pre-Islamic mythology of the same region.
Asturian dragons Cuélebre In Asturian mythology the Cuélebres are giant winged serpents, which live in caves where they guard treasures and kidnapped xanas. They can live for centuries and, when they grow really old, they use their wings to fly. Their breath is poisonous and they often kill cattle to eat. Asturian term Cuelebre comes from Latin colŭbra, i.e. snake.
Portuguese dragons Coca In Portuguese mythology coca is a female dragon that fights with Saint George. She loses her strength when Saint George cuts off one of her ears.
Greek dragons Drakōn - δράκων
Cadmus fighting the dragon is a legendary story from the Greek lore dating to before ca. 560–550 BC.
Tatar dragons Zilant
Really closer to a wyvern, the Zilant is the symbol of Kazan. Zilant itself is a Russian rendering of Tatar yılan, i.e. snake.
Turkish dragons Ejderha or Evren The Turkish dragon secretes flames from its tail, and there is no mention in any legends of its having wings, or even legs. In fact, most Turkish (and later, Islamic) sources describe dragons as gigantic snakes.
Lithuanian Dragons Drakonas This dragon is more of a hydra with multiple heads, though sometimes they do appear with one head.


Cartography

There is a widespread belief that earlier cartographers used the Latin phrase hic sunt dracones, i.e. "Here be dragons" to denote dangerous or unexplored territories, in imitation of the infrequent medieval practice of putting sea serpents and other mythological creatures in blank areas of maps. However the only known use of this phrase is in the Latin form "HC SVNT DRACONES" on the Lenox Globe (ca. 1503-07) "[12].

See also

References

  1. ^ Drakon, Henry George Liddell, Robert Scott, A Greek-English Lexicon, at Perseus
  2. ^ http://www.yawiktionary.com/d/1148365572775.html
  3. ^ p.79, Drury, Nevill, The Dictionary of the Esoteric [1]

Selasa, 02 September 2008

Hey!this is adil's new created dragon blog


yo! This is Adil from high/scope indonesia and this is my new blog. For those who don't know me i'm 11 years old and I live in jakarta and i have one brother. My hobby is drawing and playing games. I have lot's of best friends like  iyay,sulthan and others.......my favorite color is blue and my favorite animal is the dragon. Today a new kid came to my class his name is cuba he's from poland and his favorite color is blue also. He likes comedy and horror movies. He's got a little brother and he's a christian while I'm a muslim so that's all for today.come back for more.